About The Cold Cut...

The musings of a teenage audiophile. Indie, Rock, Hip-Hop, Rap, Dance, Dubstep, Garage, Metal... music crosses all boundaries. The Cold Cut is devoted to giving you a taste of what's going on in music at the moment.

About Me

A 17 year old taking his first tentative steps into the world of blogging. In my first year, its been up and down, from the slow first months to a busy time around the one year anniversary.

Showing posts with label Band. Show all posts
Showing posts with label Band. Show all posts

'Viva La Vida Or Death And All His Friends' leaks.

So, as we all knew it would, Coldplay's new album has been leaked. And it's ace. In my honest opinion, this is their best album to date, but a comprehensive review will have to wait.

I can sum it up in a few sentences: the backing is heavier in the mix, the instrumentals are lush (the only word in my vocabulary that fits). Oh, and this album has Brian Eno written all over it, in a very good way. Recently, I've started to see why Coldplay have numerous detractors, as their recent output had started to veer towards being formulaic. This album, therefore, will set things straight. The talent is all there, and every song on this album is a departure from their previous sound.

Anyway, I'm not going to post any tracks that aren't widely available elsewhere: however, since Coldplay mania is in full swing, enjoy these two new tracks (I'm not the first to post them), both high quality. Oh, and just to tease you, they're not the best tracks on the album. Not by a long way.

Coldplay- 42 (Link 2) (Link 3)
Coldplay- Yes (Link 2) (Link 3)

Viva La Vida can be pre-ordered here, or on iTunes.

The Joy Formidable

The Joy Formidable- Austere
The Joy Formidable- Cradle

Update: I (and the band) are overwhelmed by the reaction the tracks have had. On their last few hours, they occupied the number 1 and 2 spots on the hype machine popular list. If just goes to show you- great music knows no boundaries. This band are destined for huge things, and they really deserve it. Expect to see them in the near future.

Update: Holy shit. This post has gone 'mega', for use of a better word. The two tracks I posted have literally been stuck on the front page of the Hype Machine for the whole day- also, both tracks are within the top 20 most popular, and they only got indexed 20 hours ago. Impressive! I love to see a band such as The Joy Formidable benefitting from the publicity. Listen to the tracks, spread the word, and get it to number 1.

I am very occasionally impressed by a MySpace submission. Never before, however, have I been blown away. Sure, I do an inbox round-up every now and then, and the bands I feature are generally talented. The Joy Formidable, however, impressed me so much that now is their time to take centre stage...

Hailing from London, this three piece is the kind of band which maintains my belief in British music. A year ago, the band didn't even exist, but over the last few months they have crafted a distinctive sound that excuses their 'Other/Other/Other' genre choices on MySpace. Ritzy, Rhydian (who emailed me) and Justin have yet to release anything, but are already tipped by Steve Lamacq and Tom Robinson (radio DJ) as the next big thing for their 'dream pop', the missing link between mainstream rock and indie. I was instantly hooked when they cracked out that bassline on 'Austere'- I didn't even know those kind of sounds existed anymore, and the song was recently used in an advert for Skins. Even after a year together they are already beginning to sound like the Yeah Yeah Yeahs, with their penchant for distortion and falsetto backing.

The most confusing aspect is their lack of a record deal- I have a strong sense that this is down to the band rather than labels, who must be falling over themselves to get their hands on such quality.

Check out their Myspace, and make keep your eye on this band. They are destined for huge things...

Jump on the band-wagon... or not

In my short blogging career I have never been quick to jump on the bandwagon. Some might accuse me of being behind the curve, but that isn't always the case. I just feel tainted somehow, writing about a band such as Vampire Weekend or Feist, who have quite literally been blogged to death (and stardom). My thought process is as follows: if 1000 other people have written about them, what else can I add? Sure, I could put my own unique spin on things, but that doesn't alter the feeling I get that those sort of posts are pointless. This is me making up for those lost chances: rather than writing about the great artists I haven't mentioned, this new feature will allow me to post some of their music without boring you. First up, Vampire Weekend:

Vampire Weekend- The Kid's Don't Stand A Chance
Vampire Weekend- I Stand Corrected
Vampire Weekend- Campus
Vampire Weekend- Walcott
Vampire Weekend- A-Punk (Live on SNL)
Vampire Weekend- M79 (Live on SNL)

NB- Normally I would feel terrible posting more than two tracks by an artist in one post, but considering the whole album is on the Hype Machine I think this is acceptable. Enjoy...

The Hysterics Stream Album

I know I've been writing a lot about these guys over the last few months, but there's something undeniably brilliant about their music. Harmonies, nice accents, good songs. They've fulfill my cheesiness quota every day of the week, yet still remain brilliant. Stream their new album over at AOL. Album review flying your way soon...

Quick Tip: Operator Please

Unfortunately, time constraints and a slow computer at work experience mean that I can't do a full length post today, but there's a lot of fresh, interesting music to cover so I thought I should at least write something short. My Quick Tip for today is an Australian 5-piece band called Operator Please, comprised entirely of members aging between 17 and 19, not something you generally see in popular bands nowadays. Lead singer/guitarist Amandah Wilkinson formed the band to compete in her high school's Battle Of The Bands competition: "I picked people at random who I knew played an instrument, and they just said yes." and so the band was formed. Their music is quite an eclectic mix, mostly because of the instruments their band members play: the current lineup has the usual suspects (guitar, bass, drums, voice) and two unique choices, keyboard and violin: check out the bit in the download below where you get a full-blown violin solo). Together, these 5 instruments and Amandah's powerful voice make an interesting sound when coupled with their songs, which are fun, if a little childish at times (you've got to forgive them for that: they're all under 20!).

The age aspect is pretty funny actually: 17 year old drummer Tim Commandeur looks so baby-faced that his presence is often questioned during their gigs, and he has even been mistaken for Amandah's son... but forget the age thing- this is a band who made it big purely by force of will, and at such a young age they have already been picked up by EMI and are set to play the Carling: Reading and Leeds festivals this summer, having received a lot of plays (on NME, XFM and Radio 1) of their hit single "Just A Song About Ping Pong". It's been a large shock to the band, just as you would expect: receiving a record deal with EMI whilst you're a teenager isn't something most people could brag about in their lifetime. Their debut album will be out sometime later this year, but whilst you're waiting I would recommend you take a look at some of their EP's and singles. A good place to start is over at the Hype Machine... You can also buy their EP's on their site

Air Traffic- The future of highly infectious songwriting?

It has happened to all of us: you turn on the radio or MTV and that song is playing. Yes, that one: the one that has been the bane of your life for the last month, that song that penetrates your conscience due to the fact that it is radio-friendly and annoyingly memorable. Recent examples include Mika's Grace Kelly and Nickelback's How You Remind Me, but the latest one and the subject matter of this post is a band called Air Traffic. Their name might not be familiar to you, but you would have to be removed from society in order to not hear their hit single "Shooting Star", a song which at first seems blissfully innocent with its lovely piano and high vocals. After a while, though, it becomes unforgettable: I know the words to this song even though the only time I've heard it is through the wall separating me and my next-door neighbour at school!

Shooting Star: The Recorded Version

The thing is, Air Traffic are actually a really good band: they've just released debut album Fractured Life to generally positive reviews: initially comparisons were made between Air Traffic and the likes of Keane and Captain due to their music being piano driven... after listening to a few tracks, I can say this is definitely not the case. Whereas bands like Keane and Captain produce music that whilst being quaint isn't actually that good, Air Traffic produce songs like Shooting Star that are actually quite heavy, despite featuring piano. To top this off, most of the tracks on their album aren't half bad- this is probably due to the fact that the band are all in all very musically competent (see the comparative videos below of live and recorded performances of Shooting Star). Their singles- Just Abuse Me and Never Even Told Me Her Name- are two of the best piano driven pop-romp songs we've heard in a while: head over to hypem to hear them

I think it would be right for me to let you make up your own mind about this band: head over to the hype machine to hear some tracks; there are also two Youtube videos below. Please comment on your feelings about this band: I would like to know the readers of this blog think about my posts!

Shooting Star: The Live Version

You can buy their new album, Fractured Life, here

Whip-lash

Well, I have been struggling to find a band worthy of writing about recently, after becoming completely immersed in the new Interpol album. But before I start talking about them (Again), I will talk about my latest favorite new band, The Whip. Their latest song, Divebomb, has been described by some as "the best song Daft Punk never made". Even amongst the intense competition created by other dance acts such as Simian Mobile Disco and Justice, The Whip are slowly carving out their own area of the dance music market. A four piece (3 blokes, one girl) from Manchester, there is a slow mounting buzz surrounding this band: they have received rave reviews from music outfits-NME and XFM to name a few- and their live performances are said to be "mesmerising". Well, I've been intently listening to a few tracks on a recommendation from my brother, and all six tracks I've heard have been great. There are three of the best tracks below, with Trash being the standout, and you can download them all here, or click on their respective links.

The Whip- Divebomb
The Whip- Trash
The Whip- Frustration

You can buy a 12" by the Whip here...

The Cribs: Now with less added distortion!

The Cribs are a 3-piece indie-rock band hailing from Wakefield in West Yorkshire, made up by twins Ryan and Gary Jarman and their younger brother Ross. Their third album proper, "Men's Needs, Women's Needs, Whatever", was released on the 14th, and I would really recommend it to anybody who considers themselves a music fan out there. Their second album, "The New Fellas", did fairly well, but didn't really get this talented band the publicity they deserved. The key to their songs is the visceral and raw take on rock music, and their live performances are no different: it is pretty common at The Cribs gigs for the lead singer, Ryan Jarman, to throw himself into the crowd and finally return to the stage with a broken something or other, and half of his clothes missing to show for it. The only negative thing I could say about them is that the rawness of their recorded music sometimes detracts from the fact that in actuality, they're all really good at their instruments. However, I know from people who have already got the new album that they've cleaned up their sound, for the better.

Lets just get this out of the way: these guys are the definition of a
rock'n'roll band; at the NME awards, Ryan did a backflip off one of the tables, landing head first on the adjacent one, which just so happened to be covered with champagne bottles and crystal glasses. The aftermath included a lot of broken glass, and Ryan being forced to go to hospital for stitches. That didn't stop him from returning later on that night, though, and going AWOL, before being ferried back to the hospital as he had opened his stitches again. One of his early injuries also causes Ryan's lips to bleed if he sings too much, which can be seen clearly on the cover of Martell, their first single (see right), and something that Ryan considers 'fucking annoying' but a bit of a party trick.

I really think these guys are on the up at the moment: from what I have heard, they have toned down the distortion on their second album, and are making some really good music. I just hope this calm doesn't extend to their live performances, which I know from experience are something to behold and enjoy, if a little bit loud for some people... If you want to check out some of their music, I have included 3 of their great tracks- click here if you want to get them all, or click the links below if you want to get each one individually. Its no coincidence that Men's Needs, the first single of their new album, is my track of the day. Enjoy!

The Cribs- Men's Needs
The Cribs- Hey Scenesters
The Cribs- Martell

You can buy the first album, The New Fellas, here, and the new album, Men's Needs, Women's Needs, Whatever, here.