The Cold Cut

Bloc Party- Talons (Link 2)

The hype surrounding 'Intimacy' is slowly ebbing away. In retrospect, you gotta say- what a move by Bloc Party. I'll be posting my full verdict on the album soon, but this I'll say: 'Intimacy' definitely has its charms.

Bloc Party are a pretty solid band by my reckoning. I don't buy into this whole 'Kele is a moody bastard' shit- as long as the tunes keep coming, then I'll be happy. Kele is entitled to his privacy, and his mood-swings. I do, however, have a few niggles with the band, all based around their music, and primarily where its going. Firstly, one of my mates astutely pointed out that Bloc Party always release great songs in the aftermath of an album release. It's happened thrice- 'Two More Years' and 'The Marshalls Are Dead' were nigh on perfect, and could have lifted the latter part of 'Silent Alarm'. 'Weekend In The City' suffered badly from top-heavy track listing, and was followed by a host of bonus tracks that were stronger than most of the songs on the album ('Rhododendron', 'Atonement', 'The Once And Future King' and 'Version 2.0' to name a few).

And now, we have 'Intimacy'. The pacing is kind of wrong on this album... it starts loudly, but the first few songs are weak and jarring, excepting 'Biko'. The album slowly builds to a perfect, redeeming second half. Riddle me this- I purchased the mp3 version of the album, and whilst I recieved their new single (I thought single's were meant to come from albums?) 'Talons' free by email, it is not included in the album listing. This is a move beyond comprehension- 'Talons' is one of the stronger singles they've released in recent years, with chiming bells and a dance riff that is definitive of Bloc Party's new direction. Kele said of 'Talons':

“We wanted to keep things fresh and we thought the fans would be more excited to get a new song rather than something off the album. Talons is one of the last songs we recorded during the Intimacy sessions and I always had it in mind to be one of the extra tracks we promised for the CD if it turned out well. It turned out great so we decided to make it the next single. I’m enjoying this way of working, not over-thinking things, just make a decision and get on with it! It’s quite liberating in a way, I’m sure it’s going to be the way things happen more and more in the future."

The person responsible for the ordering of BP's albums really needs to get the boot. All three have been either top or bottom heavy, with unbelievable emissions- think about 'Intimacy', except remove 'Ares' and 'Mercury' and replace them with the one two punch of 'Talons' and 'Flux'. That's a proposition.

Secondly- where do the band see themselves in a few years time? I get the distinct impression that 'Silent Alarm' was just a front- albeit a fantastic, album of the year front. However, Kele has always made it clear that he wants to experiment- I remember one particular interview where he spoke of his long term wish- to mess around with Timbaland beats, basically. I respect this, but why not just start as you wish to continue? Anyway, back to the present- 'Talons' is another triumph for the band. It's just not going to make as big of an impact as it could.

Intimacy can be bought from the Bloc Party website. In doing so, you can collect your free download of 'Talons'.

I'm not a 'report every piece of music news' kind of guy, so I wasn't going to talk about Bloc Party's cryptic countdown (see full story) until it came to fruition, and it has. The countdown was (as suspected) for the release of new material. Or more specifically, a new single, entitled 'Mercury', to be released on 11th August.

At this point, I would struggle to describe it as anything but 'different'. And a live enigma- with a combination of blaring trombones and vocal loops, Bloc Party's original set-up will struggle with the amount of noise generated for their new songs (although 'Flux' comes off well). It's a tad repetitive at this point in time, but still continues the theme of electronic experimentation that Kele has obviously fallen in love with.

Both guitar and bass are neglected in favour of this new direction, although the heavy synth line- used as the basis of 'Flux'- pops up a few times. I'm slowly falling in love with this song, but honestly, if it wasn't Bloc Party, I really wouldn't give it the time of day. But then, maybe that was Kele's plan- find the way into our hearts with perfect pop songs, and then pull the once over in search of his true love- beats/electronica. Whether the rest of Bloc Party are so enamoured remains to be seen.

Watch the official video below, and hear the interview Kele gave before premiering the single with Zane Lowe on Radio 1. The single will be released as follows:

'Mercury' CD:
1. Mercury
2. Mercury (Hervé is in disarray Remix)
3. Mercury (CSS Remix)
4. Mercury (Flosstrodamus Remix)

Heavyweight 'Mercury' 12”:
Side A. Mercury (12” Version)
Side B. Mercury (12” Instrumental)

'Mercury' Heavyweight 7”:
Side A. Mercury
Side B. Idea For A Story

Pre-order the single from the band's website!

5 down, 15 to go. This is proving more taxing than I initially thought, but on the plus side the fact that I'm struggling emphasises the quality of music that has been released in 2007. Keep checking back daily for the countdown. Any guesses for my top 5? And what are yours?

15. Bloc Party- A Weekend In The City
I wasn't instantly won over by this, but the brilliance of 'Song For Clay', 'The Prayer' and 'On' had me in a head-lock from the start. The album won the battle, and its pleasing to see that their style is changing (and now we have Flux!). Unfortunately, they missed out on a golden opportunity by not releasing the B-Sides with the album- some of the bonus tracks are better than those on the release itself. Even without this addition, A Weekend In The City is a progressive, solid album, whichever way you look at it.

Favourite Track: Song For Clay (Disappear Here)

A brilliant opener, hectic and with more bass than ever seen on a Bloc Party song. Kele takes it to new heights with his falsetto. Tragically, the rest of the album couldn't quite live up to it, but it set the right tone straight off.

14. Justice- †
D.A.N.C.E. is one of my favourite tracks this year, and † lived up to the immense hype surrounding it. The common misconception is that Justice sound like Daft Punk, but as I've made efforts to point out, this really isn't the case. From experience, I've realised that you can't put this album on in the background (try learning for exams with †! Ain't happening...), and that when 'Genesis' kicks in, there ain't no going back. † demands your attention, and you had better give it.

Favourite Track: D.A.N.C.E.

It had to be, didn't it? Now all I have to do is find one of those awesome T-Shirts...

13. LCD Soundsystem- Sound Of Silver
Before Sound Of Silver, James Murphy was an unknown to me, his music an enigma. Despite this, I found it hard to ignore a well crafted, 9 track (no duds) dance album, held out in front of me by my brother. Crafted around the unstoppable trio of 'North American Scum', 'Someone Great' and 'All My Friends' (the latter two are both contenders for my favourite song of the year), Sound Of Silver is a rarity in that the dance beats are actuallly coupled with something meaningful, in the form of Murphy's lyrics.

Favourite Track: Someone Great

This one's for you, Michael! Destroys All My Friends on the emotion scale.

12. The Shins- Wincing The Night Away
The Shins are a frustrating band; whilst they might be big in America, they have yet to make an impact in the UK. That might be in the works, but an 'OC/Garden State effect' might help them along.

Just as with The Hold Steady, its great to see a group of 'older' guys making great music together. I absolutely loved Chutes Too Narrow, and with Wincing The Night Away, things only get better.

Favourite Track: Sleeping Lessons

This caught me off-guard the first time I heard it; unfortunately, it doesn't happen much in music nowadays, but I like being suprised...

11. Kings Of Leon- Because Of The Times
Third time around, the Kings took the road less travelled, and made things difficult for themselves. They emerged on the other side with the new outfits (skinny jeans, leather and new hair) and an updated sound. Because Of The Times pulls a new trick on us, and rather than re-hashing the excellent, but dated, Molly's Chambers and Red Morning Light, there are many signs of progression on their third album proper. Their most challenging, accomplished album to date.

Favourite Song: My Party

It is what it is- the high 'oooooohs' and the relentless guitar feedback make this gritty song into a classic. Textbook Kings with a twist. 'On Call' who?