About The Cold Cut...

The musings of a teenage audiophile. Indie, Rock, Hip-Hop, Rap, Dance, Dubstep, Garage, Metal... music crosses all boundaries. The Cold Cut is devoted to giving you a taste of what's going on in music at the moment.

About Me

A 17 year old taking his first tentative steps into the world of blogging. In my first year, its been up and down, from the slow first months to a busy time around the one year anniversary.

Showing posts with label Electronica. Show all posts
Showing posts with label Electronica. Show all posts

Pin Me Down- Born out of inter-band tension?

Pin Me Down- Cryptic (Link 2)
Pin Me Down- Pretty In Pink (Link 2)

This really isn't me, but all I can say is... fuuuuuuuck. Why didn't someone tell me earlier? Why did you leave me out of the party? Pin Me Down are so, so, so incredibly ace, and clearly destined for huge things. Why 'Cryptic' isn't number vexes me. It came out in May, and I've only just heard about it? Boy-girl duo's are based around a nice dynamic, and in Milena Mepris and Russell Lissack from Bloc Party, we have a combo for the ages.

I'm almost certain that there's a good story behind this duo. Since 'Flux' came out, Bloc Party interviews have been less than chilled, as if Kele was forging a path for the band that he alone wanted to take. And 'Mercury' must have been even more taxing... I like the song, but do you notice that huge gaping silence? That's the gap left by Russell- as my brother correctly questioned: what's the point of writing songs which don't use one of the best guitarists of the modern age? Nice one, Kele. Stop being moody, continue with this experimentation, but use Russell as well as those nice synth lines.

Enough of Bloc Party- Pin Me Down are, as a breaking band, in a league of their own. At this point, we can only be sure of one thing: Russell is hiding a super song-writing brain behind that killer fringe.

Visit Pin Me Down's myspace page, and buy 'Cryptic' from the iTunes store.

Bloc Party+Cryptic Countdown= Mercury


I'm not a 'report every piece of music news' kind of guy, so I wasn't going to talk about Bloc Party's cryptic countdown (see full story) until it came to fruition, and it has. The countdown was (as suspected) for the release of new material. Or more specifically, a new single, entitled 'Mercury', to be released on 11th August.

At this point, I would struggle to describe it as anything but 'different'. And a live enigma- with a combination of blaring trombones and vocal loops, Bloc Party's original set-up will struggle with the amount of noise generated for their new songs (although 'Flux' comes off well). It's a tad repetitive at this point in time, but still continues the theme of electronic experimentation that Kele has obviously fallen in love with.

Both guitar and bass are neglected in favour of this new direction, although the heavy synth line- used as the basis of 'Flux'- pops up a few times. I'm slowly falling in love with this song, but honestly, if it wasn't Bloc Party, I really wouldn't give it the time of day. But then, maybe that was Kele's plan- find the way into our hearts with perfect pop songs, and then pull the once over in search of his true love- beats/electronica. Whether the rest of Bloc Party are so enamoured remains to be seen.

Watch the official video below, and hear the interview Kele gave before premiering the single with Zane Lowe on Radio 1. The single will be released as follows:

'Mercury' CD:
1. Mercury
2. Mercury (Hervé is in disarray Remix)
3. Mercury (CSS Remix)
4. Mercury (Flosstrodamus Remix)

Heavyweight 'Mercury' 12”:
Side A. Mercury (12” Version)
Side B. Mercury (12” Instrumental)

'Mercury' Heavyweight 7”:
Side A. Mercury
Side B. Idea For A Story

Pre-order the single from the band's website!



The musical equivalent of laughing gas...

I've always been a Mylo fan. Naming your debut dance album 'Destroy Rock & Roll' is an audacious move, and although Myles Macinnes didn't live up to this claim, he had a bloody good go at it. Everyone has their reasons for liking this type of dance/electronica music, but mine is the happiness it instills in me. There's nothing better than a well-thought out dance tune to cheer me up on a cloudy day.

This genre is a rapidly evolving one: you might wonder how many combinations of synths and beats there can be, but the artists at the top of the pile consistently impress, and talent is a prerequisite. Listen to Hot Chip and tell me they aren't talented- do any of you have the guts to say that 'Over And Over' isn't a go-to guide of genius songwriting?

This type of music is a blessing come the winter months; how great it is, then, that new Hot Chip songs are clogging The Hype Machine and Mylo begins releasing new material (which I'm not going to post, given how new it is). Hot Chip's third album, Made In The Dark, comes out on February 4th next year. Here's a couple of new dance tracks that I'm feeling at the moment. Any tips within this field of music would be much appreciated.

Flatpack- Sweet Child Of Mine (Guns N' Roses Cover)- (Mylo Remix)
Hot Chip- Ready For The Floor
Hot Chip- Shake A Fist

Track of the day- The Machine... P.S- back for good now!

Yes- it is as good as I thought it would be: Reverend And The Makers' The State Of Things is a brilliant album- so good, in fact, that had it been released a couple of years ago (aka when the Arctic Monkeys made it big) it would have given them a run for their money. The only problem is that this album is a few years too late. But lets not talk about that and instead look at this album for what it is- a successful electronica/indie album, with several stand out tracks and great lyrics. My personal faves- barring the singles- are The Machine (Alex Turner sings on this one), Miss Brown and album closer Armchair Detective. Check them out:

Reverend And The Makers- The Machine
Reverend And The Makers- Miss Brown
Reverend And The Makers- Armchair Detective

Chromeo- 80's funk throwback, and oh so much more!

Chromeo are a band with a sense of humour. In an age of Kele Okereke's (Bloc Party) and Tom Smith's (Editors) who try to win fans through the pure force of their moodiness, Chromeo are a breath of fresh, and fun, air. Describing themselves jokily as "the only successful Arab (Pee) Jewish (Dave) collaboration since the beginning of time", Pee Thugg and Dave 1 magically produce 80's funk music with all the characteristic electronica elements: When was the last time you heard a modern band playing the keytar? Well, on their sophomore album Fancy Footwork- just released- they've done just that, as well as using synths and a talk box to create music that can first and foremost be compared to Prince in his electrofunk heyday.

A review of Fancy Footwork in Q this month recieved a harsh 3 stars, although that's not really surprising: Q, being a music magazine, takes everything too seriously and can't take the album for what it is- heaps of fun. This is the kind of album where you can't help a smile spreading from cheek to cheek when you hear it: listen to Call Me Up and try and tell me you didn't enjoy yourself. When Q began to analyse it piece by piece they were ripping apart the spirit of the album: its a fun, funky, party album which should be listened to and cherished, without trying to look for some deeper meaning.

Chromeo aren't afraid to embrace comparisons: on Fancy Footwork I swear I can hear Michael Jackson screeching, and the Prince parallels go without saying, but that doesn't take anything away from it. I hope you will agree; check out the four tracks from the new album below. Oh, and given the comparison to Kele from Bloc Party above, I thought I would include a Chromeo Remix of a Bloc Party B-side. If you can't beat 'em, join 'em? I hope not...

All these tracks can be downloaded from this project, or by following the links individually
Chromeo- Outta Sight
Chromeo- Call Me Up
Chromeo- Tenderoni
Chromeo- Fancy Footwork
Chromeo- Needy Girl (Bloc Party Remix)

Fancy Footwork and Chromeo's first album, She's In Control can be purchase here

Matthew Dear's 'Asa Breed'- Imitation is the greatest form of flattery

James Murphy has done extremely well out of his electro-pop hybrid style of music: chances are you won't know he is but his latest musical project LCD Soundsystem has produced two great albums which were both well received. On top of this he runs his own music label, Death From Above, and is constantly in demand as a DJ. Don't forget the fact that in 1992 he was asked to write the script for a small new show called Seinfeld, but turned it down, citing a busy schedule as his excuse. So.... you might call him multi-talented then, what with dabbling (successfully, mind) in different projects. Unfortunately, his mettle is about to be tested by Matthew Dear, the latest contender for the multi talented go-to guy crown. And the way in which Dear is challenging him? Well, you could say imitation.... Asa Breed, Dear's new album, is very similar to the latest LCD Soundsystem release, Sound Of Silver.

Matthew Dear is an Texas-born music producer from the same mold as Murphy, although so far he hasn't managed to emulate Murphy's success. Also the owner of a record label, Ghostly International, Dear has had many successful songs and remixes but has found it hard to translate the success across to a full album. I'm not lying when I say Matthew Dear is one of the most prolific artists I've ever come across, remixing and recording hundreds of tracks under different aliases (Matthew Dear, Audion, Jabberjaw and False) and surprising everyone by constantly flitting between styles and genres of music (check out his wikipedia page if you don't believe me). The last few years have been highly exciting for his followers, who have patiently watched him changing into a first class musician/producer- there were hints of this but his style quite defined yet, so this process was a metamorphosis if you like. With his latest album, Asa Breed, I can happily say that he has found his sound, although its still hard to identify what different elements it is made up of. And there you have the fundamental reason why his music is so interesting to listen to: across Asa Breed there is a varying pace, sound and style to every track, and Dear has obviously come to terms with the fact that his most successful music has been impossible to define: genre tags like hip-hop/electronica/garage/dance are commonplace with his music, and also means that in theory, some elements of each song should appeal to everyone.

This really is a fantastic third album, and in my opinion Dear has really come into his own. If he keeps up his producing and DJing he could be a serious threat to well-established people like Murphy. The only problem is that Dear has to learn when to stop slicing and dicing music, or he could end up alienating his main fan base: Asa Breed is good because it subtly puts together the best elements of many styles of music, although on some tracks there are points where he is close to the edge in terms of how much variety you can stuff into 3 minutes. After I've listened to the album a bit more I will probably do a review of it, probably later this week. There are a couple of tracks available for download below, you should know the drill by now.

Matthew Dear- Pom Pom

Matthew Dear- Deserters

Weird Album Cover?