The Cold Cut

Webbafied- Can't Tell Me Nothing/Garbage (Link 2)
Webbafied- Phantom Part II (Link 2)

One of my favourite up and coming artists, Webbafied, has started to make some serious progress. I wrote a 'Definitive Justice' post a few months ago, and his tracks went to the top of the hype machine, as well as the post receiving a huge volume of hits and comments.

I know Webb has a load of great friends and we are all rooting for him: if you haven't downloaded it yet, 'Webbafied Does It Justice' is one of the best free releases of last year (yes, including 'In Rainbows'). He sent me an email update recently:

"So...my band mate Morgane invited me to the Release Party for ED REC VOL.3...LIVE in Paris, France...Of course I accepted the invite and got into party mode...assume of you may know, my latest project 'WebbaFied Does It Justice' is a cover of the Ed Banger Records Release 'Cross'

So it was a very good look for me to be in the house with these folks..hmmmm...Lemme rephrase that....not in the house..but ON THE BOAT...these dudes rented a boat for the party...it was nuts...we we're on La Seine at midnight when the Eiffel Tower lights up and shit..It was so ill!!!

Despite all the great scenery and extreme inebriation I had some promotional work to do...the first Person I polly'd with was DJ A TRAK...i don't know what the hell he was doing there but I'm glad I got to build with him...he was cool...talked about the buzz surrounding the Glow in The Dark tour...chatted about my project...and kept bumpin into each other for the rest of the night...It wasn't that big of a boat...oh...and his set was crazy...I got to build with DJ Medhi and he seemed impressed by the concept of the project...

I met both of the dudes from Justice...I hit one of them with a CD...He loved the idea of the project and assured me he would check it out...one of the dudes from Justice and Medhi did a set...and body'd it...the crowd was huddled around the DJbooth...it was funky as hell..it smelled like hot locker room and onions... Last but not least was Busy P...he was cool as hell...me and him kicked a lot throughout the night...I told him the details of the project and he was impressed with the fact that we didn't chop up their music...that I just rode it out as it was...he seemed genuinely interested in what i did...we had drinks..talked some shit....we really got it popping...he knew some of the people I came with so we were all just going in!! It was classic...
Left the boat at like 4:30am...got a crepe...hit the train...and hit the sack..."

Webbafied sent me some great photos: I'm pleased to see that he's making some serious progress. Visit Webbafied's Myspace and download his 'Hits Of The Year: Volume 1' and 'Webbafied Does It Justice' albums free. Now that Justice have a copy of his album I'm pretty sure things are going to get mental: more online exposure and some magazine interviews over the summer, no doubt. I can't wait!

When I first heard Justice's '†', I was impressed, but not as much as the hype said I should be. Worst of all, I found the Daft Punk comparisons confusing: they're a duo, and they're French. Must be the next Homem-Christo and Bangalter, then. Never mind the fact that their music is only loosely similar.

However, the album really crept up on me- mostly due to its marketing: the videos have all been excellent (watch DVNO, NOW), and the endless stream of remixes has kept up their exposure. Everyone has had a go, and whilst some have been more successful than others, there is no doubt that '†' is remix fodder. Even Justice have contributed- "What? So you weren't happy with the original song? Oh well...". Put it this way- wikipedia has a whole page devoted to Justice remixes. Here are a few of the best:

Justice- DVNO (Justice Remix)
Justice- Phantom Pt. II (Boyz Noize Remix)
Justice- D.A.N.C.E. (Les Rhythmes Digitales Remix)

Over the last few weeks, a more interesting application of '†' has emerged: the backing for a rap. Wale did it first, with the unbelievably amazing W.A.L.E.D.A.N.C.E., which I was only alerted to a couple of days ago. He really does kill it, and its an intuitive use of a brilliant song. I await his label debut: check out some mixtapes over at DatPiff.
'Cut beats; I'm a fucking word surgeon. Scalpel... Sponge... This working. D.A.N.C.E.'

Justice/Wale- W.A.L.E.D.A.N.C.E.

Only minutes after hearing Wale's interpretation of the song, I received an email from Webbafied. Hailing from Brooklyn, New York, this up and coming hip hop artist had me hooked from the moment I opened the email. Justice's '†', re-tooled with a rapper. The whole thing. Free. With the 'Grey Album', Dangermouse took two distant albums- The Beatles 'White Album' and Jay-Z's 'The Black Album'- and created something new, but retaining the quality of the original work. Webbafied has pulled off a familiar feat with 'Webbafied Does It Justice', except rather than working as a producer (like DM), he has lent his lyrical wit to the songs.

Justice/Webbafied- Let There Be Light
Justice/Webbafied- Stress

Admittedly, its an ambitious project, and not every track has the necessary space or vocal cues that Webbafied needs to work with. There are a handful of occasions, though, when the potential of such a project is fulfilled: the new version of 'Let There Be Light' sends shivers down my spine... 'Valentine' takes on a heartful meaning: 'Everyday is February 14th. Say my prayers hoping that you won't leave. All my life I waited for the right one. You're the type I need to mother my son.' Best of all, though, is 'DVNO', a song that has felt the power of ressurection. With So-Me's video and this re-tool, it is rapidly developing into my favourite Justice release, period.

The intelligence of Webbafied is clear: his interpretation of what the original songs are actually about is generally spot on. Artists hoping to cut a path into the big-time should follow his example: coupling your skills with an album of well known songs is a sure-fire way to get noticed. In doing so, he has already jumped the first hurdle: familiarity. And with a respect for the original material, he cannot fail: whereas Wale turns the backing treble right down, Webbafied waits for the gaps to do his thing. Sometimes, this creates awkward silences, but it's the right approach to take for an album interpolation.

You should check out Webbafied's MySpace page, where 'Webbafied Does It Justice' can be downloaded for free. Also, make sure you have a listen to his extensive back-catalogue.

Update: A behind the scenes look at the making of 'Webbafied Does It Justice'...

I've always been a Mylo fan. Naming your debut dance album 'Destroy Rock & Roll' is an audacious move, and although Myles Macinnes didn't live up to this claim, he had a bloody good go at it. Everyone has their reasons for liking this type of dance/electronica music, but mine is the happiness it instills in me. There's nothing better than a well-thought out dance tune to cheer me up on a cloudy day.

This genre is a rapidly evolving one: you might wonder how many combinations of synths and beats there can be, but the artists at the top of the pile consistently impress, and talent is a prerequisite. Listen to Hot Chip and tell me they aren't talented- do any of you have the guts to say that 'Over And Over' isn't a go-to guide of genius songwriting?

This type of music is a blessing come the winter months; how great it is, then, that new Hot Chip songs are clogging The Hype Machine and Mylo begins releasing new material (which I'm not going to post, given how new it is). Hot Chip's third album, Made In The Dark, comes out on February 4th next year. Here's a couple of new dance tracks that I'm feeling at the moment. Any tips within this field of music would be much appreciated.

Flatpack- Sweet Child Of Mine (Guns N' Roses Cover)- (Mylo Remix)
Hot Chip- Ready For The Floor
Hot Chip- Shake A Fist

Deep down inside, it really pains me to say this, but Justice are no longer the clear heirs to Daft Punk's large pyramid shaped throne. In fact, I would say they are close to being usurped from their 'temporary' position by Boyz Noize, a one man synth-king who regularly blows audiences away with his live performances.

I was incredibly surprised when I saw Justice at Lowlands this year, and it was much more of a 'performance' than I expected from two people. Their set-up was awesome, with two massive decks, a huge stack of speakers and their trademark neon cross. All in all, they gave a mind-blowing performance, linking songs together so that the sound was uninterrupted for an hour... but as good as Justice were, they didn't live up to my earlier claim as the rightful heirs to Daft Punk's legacy. In fact, when you hear them live you can tell quickly that theirs is a different style of dance music altogether.

My feelings have changed, but that's not to say that I don't believe Justice will go far with their unique style of music. The only thing is in Daft Punk's (extremely long absence) we all miss someone with their style, and in Boyz Noize, we may have found our substitute. Boyz Noize has obviously inherited their talent with samples: check out the tracks below for some clear proof. If you like his catchy dance tunes, "Oi Oi Oi", his new album, can be purchased here. Also, check out his myspace for a few more tracks (I have yet to dislike one of his remixes... check out Feist's "My Moon My Man" in particular).

Boyz Noize- & Down
Boyz Noize- Let's Buy Happiness

With the populatrity of dance acts such as Simian Mobile Disco and Justice, it might seem as if Daft Punk are beginning to lose their hold on their target market- they haven't released any new material since 2004. Under the alias of Daft Punk, Thomas Bangalter and Guy-Manuel de Homem-Christo have created some seriously cool and smart electonica/dance music over the last two decades, which somehow penetrates your conscience whether you like it or not. As one of the most critically acclaimed dance acts ever (in terms of popularity and album sales) Daft Punk have produced two standout albums, Homework and Discovery, whilst their most recent material, Human After All, was really repetetive and didn't do well when it was released in September 2004. Don't let their latest album lead you into thinking the first two hit albums were produced by luck, however; these two guys aren't you're average Joe's... during their live performances they wear robot suits, and their faces have never been seen in clear view by the world (see images throughout the post of the robot suits and their anonymity). Their eccentricity really comes through in their live shows: during recent performances the band have performed in a giant pyramid (again, see pictures), not quite something I would call 'normal'....


The world-wide acclaim has caused the duo's songs to be remixed numerous times: most people in the world will have heard Kanye West's hit single Stonger by now, which samples Harder Better Faster Stronger, off of Discovery. Justice have also remixed songs, and they aren't afraid to show how much they owe to Daft Punk for pretty much inventing the French Dance Movement. Its very scary to look at how similar the two dance acts are: both are made up of two French citizens, and broke into the mainstream due to one song... Justice, though excellent, will be very lucky if they can emulate the success of Daft Punk. But before I start talking about them as if they are in the past, it is important to look at the prospects for the French Duo: due to constant remixes they are still very much in the limelight, and their live performances recently have recieved rave reviews: my brother was at the O2 festival this year and said that there performance was "the best thing he has ever seen" on a stage. With all that in mind, I doubt Daft Punk are just going to step aside and let up-and-coming bands such as Justice take over before their time is right.


I've included a few tracks below, which will hopefully give all of those who haven't heard of Daft Punk a chance to see what all the hype is about. Click the links individually to download the tracks, and be sure to buy some of Daft Punk's albums here...

Daft Punk- Harder Better Faster Stronger
Daft Punk- Technologic
Daft Punk- Digital Love

It appears that Justice have the smarts to match their seemingly endless ability to remix tracks and make them sound much better than the original; their new video for D.A.N.C.E.-their hit single- uses a frustratingly simple idea to great effect. Before I reveal too much, just watch the embedded video below, which features some cool t-shirts which I wish were real!

Well, I have been struggling to find a band worthy of writing about recently, after becoming completely immersed in the new Interpol album. But before I start talking about them (Again), I will talk about my latest favorite new band, The Whip. Their latest song, Divebomb, has been described by some as "the best song Daft Punk never made". Even amongst the intense competition created by other dance acts such as Simian Mobile Disco and Justice, The Whip are slowly carving out their own area of the dance music market. A four piece (3 blokes, one girl) from Manchester, there is a slow mounting buzz surrounding this band: they have received rave reviews from music outfits-NME and XFM to name a few- and their live performances are said to be "mesmerising". Well, I've been intently listening to a few tracks on a recommendation from my brother, and all six tracks I've heard have been great. There are three of the best tracks below, with Trash being the standout, and you can download them all here, or click on their respective links.

The Whip- Divebomb
The Whip- Trash
The Whip- Frustration

You can buy a 12" by the Whip here...

French dance music is very hip right now. Oh yes, Britain's greatest rivals from across the pond are churning out crossover dance hits effortlessly; most of us have heard Justice's hugely commercial single D.A.N.C.E. by now, an excellent song which will no doubt be unbelievably irritating come August. But don't for one minute think that this song came about through a bit of luck; no, Justice have got a truck load more songs to back them up, and their new album notoriously titled † has been receiving great reviews in all the major music magazines. And who can forget last years Never Be Alone, a massive hit in its own right, for which Justice were half responsible, alongside Simian Mobile Disco.

I will, without a doubt, be buying the album when it comes out: I've only heard a couple of tracks but I certainly haven't been disappointed. I suppose it is with this admission that it has fallen to Justice to be Daft Punk's natural successors as the saviours of French dance music; There's been a relatively dry spot in terms of great dance tunes since the likes of Homework and Discovery in Daft Punk's better years. Well, you only need to click the links below and download the two tracks I've include by Justice to see that this is all about to change. Enjoy, and please comment if you love Justice as much as I do. Also, has anyone out there heard the new Simian Mobile Disco album? Any good?

Justice- D.A.N.C.E.mp3
Justice-Me Against the Music.mp3