The Cold Cut

Beatology.zip (Link 2)

When Jay-Z performed on Glastonbury 2008's second night, he effectively altered British music festivals. In doing so, he simultaneously made a mockery of all those who doubted whether hip-hop belonged in a British festival atmosphere- yes, Noel, that's you. I personally hate the fact that these genres are largely left out of European line-ups, and when they're included, they are swept onto smaller stages.

Jay-Z- Wonderwall/99 Problems (Live At Glastonbury)
Jay-Z- Rehab (Live At Glastonbury)
Jay-Z- American Boy (Live At Glastonbury)

Jay-Z is the first rap artist to play on the main stage of a mainstream UK festival and to recieve extensive coverage, and his set was a huge success, hopefully opening up new avenues for artists such as Lupe Fiasco and Kanye West who also have brilliant stage presence. Let's all be honest- he bossed it. Jay had everything at Glasto: political relevance, controversy, the tunes and a brilliant show. As did Lupe, who gave a confident and energetic performance (watch it), on the small Jazz World stage, when in the US such an artist probably would have been centre stage. Although it looks like that is about to change. Especially with the following set of tunes flying the flag:

A-Trak ft. Lupe Fiasco- Mastered

A-Trak was the latest musician drafted to create a Nike+ soundtrack, entitled 'Running Man'. He must have pounced on the chance of distancing himself from Kanye West and his ever-expanding ego (I still love you Kanye), and he modestly illustrates why he has one five DMC championships. Using some of his contacts from the Glow In The Dark tour, he drafts in Lupe Fiasco, who all but carries the song. In small doses, this type of music is really great. I can't, however, see him successfully producing a Mark Ronson aping album. Myspace

John Legend ft. Andrew 3000- Green Light

It's a case of less musicianship, more commercial appeal with this song. John doesn't sacrifice too much, and the combination of the two vocals has a really strong R'n'B vibe. Myspace

T.I.- Swing Your Rag

Since 'My Love' was release, and running up to 'Love In This Club', T.I. was everywhere, and probably on the cusp of a Lil' Wayne style commercial breakthrough. Unfortunately, he's now under house arrest, and has been quietly working away at a new album, 'Paper Trail'. 'Swing Your Rag' is one of 50 recorded tracks- expect the album to drop mid September. Myspace

I know it officially started yesterday, but I don't think its fair to say Glastonbury is in full swing until the first band plays on Saturday. It has, however, already been predicted that there will be a shit storm of weather this weekend at the festival site, as there always is at Glasto. It might even be fair to say that Glastonbury isn't what it is without at least a day of crappy weather, and many people associate their best festival experiences with the permanently sodden Glastonbury fields.


What is it about rain that causes people to associate them with good festivals? I know from Lowlands festival last year that rain can have a weird affect on people in festival situation; on the last day of the 2006 festival it pissed it down for 5 hours. Yet rather than dampening (sorry, bad pun) the mood of the festival, everything seem to pick up- we were all content watching the bands with only our black bin bags as protection from the storm that was attempting to ruin everything. It's also important to remember that despite occurring in the summer months, all festivals in the UK have ground rules written in stone. These are:
1) Bring wellies
2) Bring a waterproof
The rest is really up to you, but if you forget either of these and it rains, you're in a very bad place.


Despite the large possibility of rain this weekend, I'm sure Glastonbury Festival 2007 will be one to remember; my brother and sister are both there are the moment, and the lineup looks fantastic. 200 different bands are playing over the next 3 days, and I can't really see anyone missing out of the current crop of good bands. I've included a couple of photos from Lowlands last year, and Glastonbury in general.

'How are you doing London?' were Matt Bellamy's first words as he strolled onto the stage of the Sheperd's Bush Empire in West London last year, followed shortly by Dominic Howard and Chris Wolstenholme, drummer and bassist in the outrageously good band that is Muse. At this point in the gig, I was still slightly shocked that I was even there... A few weeks previously I had headed over to the Muse website to check out their latest tracks from Black Holes And Revelations, and after being forced to enter a competition in order to enter, I listened to some of the new tracks, including Starlight and Supermassive Black Hole. I was unaware at that point that I would be listening to them live only 4 weeks later.

Two weeks after I entered the competition, an unassuming but highly important email popped into my inbox informing me that I had won two tickets to see Muse in their "Supermassive Gig", where they would be playing the new album in full, all of which would be recorded and shown on MTV a few weeks later. It just so happened that I would be in London on the day of the gig, and I ended up going with my sister. We turned up to a scene of chaos: there were a wide range of different people milling around the venue: some goths, some hardcore fans - brandishing their Muse T-shirts and badges-, and some bewildered individuals who had obviously entered without knowing who Muse were. After an hours wait to get our special wristbands and tickets, we were let in, and the gig started promptly. I was, and still am, a huge fan of Muse, and had been informed by my experienced Dad/brother/sister that their live performances were special. I didn't really realise this until Matt Bellamy opened his mouth to sing and began to play his guitar like a man possessed; believe me when I say that watching this band is a spectacle: Matt Bellamy has an exceptionally loud and developed voice for someone so small (he must weigh about 9 stone) and the way he manipulates his guitar is nothing short of amazing. He is backed up by possibly the best rhythm section in the world, with huge, heavy basslines and musically clinical drumming from Wolstenholme and Howard.

I was blown away by the performance: I have seen a fair few bands for someone my age, but never in my life have I heard a band who sounds better live than they do on their albums. I swear there are times during their performances where Muse add in licks and fills that aren't included on their albums, just as an extra: these only help to make their live performances a more rounded experience. This is really down to the fact that all three members of Muse are highly accomplished musicians: Matt Bellamy was a classically trained pianist before he traded in Tchaikovsky for AC/DC as a teenager, and both Wolstenholme and Howard know their way around their instruments. Bellamy must go through guitars quickly, the way he batters, bends and beats them into submission, and the sound produced by this band is encapsulating, loud and completely unique. A regular theme in Muse's albums has been outer space and the supernatural, and their music and live performances are truly out of this world. The music that Bellamy writes seems so effortless: whilst they revel in the huge choruses and pounding rhythms of songs such as Supermassive Black Hole and Map Of The Problematique, they are just as much at home producing lighter sounds such as Starlight and Soldier's Poem. All in all, I really think that Muse should take the mantle as THE BEST BAND IN THE WORLD, due to their stellar live shows and brilliant music.

After my gig at Sheperd's Bush Empire, I was lucky enough to see them again a month later at Lowlands Festival in Holland. Their performance was different, but no less brilliant: their sound wasn't diminished by the festival tent containing 5000 people. I let out a huge sigh of relief when I watched them all the big festivals last year, for finally, this hugely talented band had made it to where they deserved to be.