The musings of a teenage audiophile. Indie, Rock, Hip-Hop, Rap, Dance, Dubstep, Garage, Metal... music crosses all boundaries.
The Cold Cut is devoted to giving you a taste of what's going on in music at the moment.
A 17 year old taking his first tentative steps into the world of blogging. In my first year, its been up and down, from the slow first months to a busy time around the one year anniversary.
Whilst Santogold is once again taking the web by storm, second time around she's not alone. Instead, her new mixtape with Diplo ('Top Ranking'- I will be posting on this once I buy it) has brought together Santi and M.I.A, alongside a host of other crazy collaborations. She has quite clearly been bitten by the bug after 'My Drive Thru' became far more popular than it deserved to.
Santogold has been touted as the next M.I.A. since she burst on to the scene, and it's a comparison that has dogged her rather than pushed her career forward. If anything, this track proves that whilst there are some undeniable comparisons, Santi and Maya are two completely different artists, with their own interpretations. And thank god, because if it was any other way this track wouldn't be worth listening to.
This song is a wonder, as if you had stuffed the best moments of 'Kala' and 'Santogold' into 3 minutes. We have sirens, a guest rapper -Gorilla Zoe, who sounds remarkably like Busta- and cat calls from M.I.A., and Santogold's diverging harmonies, humming and bass driven melody. Oh, and how could I forget- influences from a truckload of different genres find their way into the song. It works in a way that we will never comprehend.
Telemitry, take a long, exaggerated bow. For you are the true master. Where have you been for the last few weeks?
Since the Telemitry remix of 'Viva La Vida' -which turned it into a sure-fire dance floor hit- I have been waiting for a similar challenge to come along. 'Mercury' is it, and this version of the song is easily superior to the Bloc Party version. Telemitry basically had the balls to do what Kele imagined. This is the definitve remix of 'Mercury- there's no need to look elsewhere. They might as well re-release the single with this as a B-Side. All I can say is, 'well done'.
I'm going to keep this as short as possible: this post is acting as one of my 'breaks'... let me just fill you in. I'm at school at the moment, on study leave, and doing exams (every other day, it seems). To be honest, I'm wiped out. There is something sad about the existence that all final year students have at this point: much partying lies over the horizon, but at the moment all I do is sleep, get up, work. Rinse and repeat. It's boring, and at this moment, I'm severely tired of maths, chemistry and physics.
A few things to clear up: I apologise to all of you who have been sending me nice emails with music at the moment. I know I've been shit... Let me explain: I'm at school, and when I'm here I can't access MySpace or many other similar sites, so as much as I would love to listen to your music (trust me- I always listen to submissions... always), I can't post tracks unless you send me mp3 files. This wont be the case for much longer- I'll be out of here in 3 weeks. Oh, and please keep filling up my inbox. I love it, and promise to catch up when I'm free.
Okay, so just going to rattle out some of the great stuff from my inbox, and a few new tracks that I completely missed.
The Subways are back. Who, you might ask? Well, back in 2004, this three-piece were a huge indie hit: their songs were featured in various TV ads and also the O.C. (always a sign of success... sic). They're due to release their new album on 30th June, 'All Or Nothing'. Early signs show that the four year break has been very beneficial. Download the two new album tracks below. Myspace The Subways- Alright(Link 2) The Subways- Girls And Boys(Link 2)
I'm not entirely sure about this Justice remix of 'Electric Feel'. It's a little bit of a clanger, and the pitch change takes the retro vibe from the original. Regardless, it's a Justice remix, and whilst I'm beginning to think they need a break, it's another remix to add to their pile of inventive re-tools. MGMT- Electric Feel (Justice Remix)(Link 2)
Okay- I'm starting to run out of steam (the little I even have left):
The Brakes- Into The Ground(Link 2) Wow. Please bear in mind that this is live. Unbelievably tight. That's the kind of bond formed by a band who all went to middle school together, and have been recording since then. Myspace
CHAINGANG- Holiday(Link 2) I eagerly await more news from this Australian group. Crunching bass, some urgent vocals and a new sound (very rare these days) have already set these guys apart. Impressive. Myspace Roses, Kings, Castles- Sparklin Bootz(Link 2) If you had told me that Adam Ficek from Babyshambles has a better voice than Pete Doherty, I wouldn't know what to make of it. And I don't. Oh, and his music is a little more tame that 'Fuck Forever'. Myspace
Oh yes. CRS have seriously proven themselves. Transforming a piece of coal into a diamond is a neat trick, and the strength of these three artists is unbelievable. 'Us Placers' was a brilliant piece of artistry, with a nice sample, good verses and, if this any indication, just a hint at what this trio is capable of.
In the hands of Child Rebel Soldier, N.E.R.D's 'Everybody Nose' takes on a new meaning, and a much darker disposition. The main thing this proves is that Pharrell is a much more formidable artist when coupled with Kanye and Lupe. Further to this, it's nice to see that the song's subtext actually involves cocaine, not waiting in queues at clubs, a fact which didn't come across in the original.
Usher- Love In This Club (MSTRKRFT Remix)(Link 2) MSTRKRFT have also pulled one out of the bag, with a bottom heavy remix of Usher's 'Love In The Club'. A song like this should require a light touch, but MSTRKRFT have taken the opposite approach, bucking and beating the trend. This really proven their status as kings, transforming the originally slight track into something far more weighty.
This guy is a machine. Every email from Alfredo Lapuz Jr. starts with 'just got back from work, and put this together'. If that's the case, then he's a genius, gluing together random songs to create something entirely original. If you don't believe me, check out 'Fish Tacos', effectively a remix of 'Viva La Vida' blending in Weezer, Cut Copy, The Blow, M.I.A. and Reading Rainbow. I wasn't won over by the prospect of that many songs stuffed into one track, but this is the sign of a true master. He pulls it off effortlessly.
Just thought I would share something with you: I was messing around with the new Coldplay single earlier on Garage Band, and my doodling turned into a remix of sorts. It's just about good enough to post (aka not totally rubbish), so please leave a comment with your thoughts.
Music is, in my opinion at least, designed to be open to interpretation. Therefore I decided to try my hand at the old remixing, and I can assure you, it's a lot harder than it seems. I wasn't a huge fan of this single when it was released, but it's a definite grower. In my remix I hope I have brought out some of the more important aspects of the song: its maritime connection, a little more power in the lower end of the spectrum- bass in particular. There are a couple of cool tricks that I picked up today- inversion, reversing etc.- which have found their way into the remix.
Anyway, I have to say I really enjoyed the process- having a Mac is brilliant, but the utility is wasted if you don't learn how to fully use the programs. This remix has pretty much taught me how to use Garage Band in a few hours. I hope you enjoy it, and leave comments- I'll be able to put your tips into practice next time I decide to remix a song.
With remixes, I'm easily impressed. Attach a sufficiently huge bass-line, chop and change the song format, affix some other random sounds and we can have a long lasting relationship.
I was destined, therefore, to love Crookers. They've got a simple formula, which delivers, over and over again: take a song no-one else has touched, glue a grungy bassline to it and then present it as musical gold.
Crookers are an Italian duo: DJ PHRA and Bot, with a stash of remixes to their name. Given the nature of their music (solely remixes) the prospect of a Crookers album is confusing. Which direction will they take? Will they produce original material? Or will they continue to remix tracks?
Anyway, check out the ACDC remix below (great for sport, trust me) and a nice new version of Trash by The Whip.
I love mash-ups. Its two for one. Buy one get one free. Whatever you want to call it. That is, when you are lucky enough to find a good one.
Either way, when executed well, a mash-up is elevated a level above the original songs. Generally, you have to search long and hard for a truly brilliant combo, but I've done the work for you. Enjoy, and think of the possibilities. In order of brilliance:
Rihanna/New Order- Shut Up On A Blue Monday (ComaR)(Link 2)(Link 3) Simply genius. Whoever put two and two together should really quit their day job. This is one of the rare occasions where the songs fit perfectly together. Seamless. Rihanna becomes bearable- it must be a miracle. Listen, NOW! Nirvana/Michael Jackson- Smells Like Billie Jean (Link 2)(Link 3) Imagine: this is what MJ would sound like if his voice was a bit lower, and he wrote brilliant grunge music instead of sickly pop gems. And stopped screeching. Cha-mon-e.
When I first heard Justice's '†', I was impressed, but not as much as the hype said I should be. Worst of all, I found the Daft Punk comparisons confusing: they're a duo, and they're French. Must be the next Homem-Christo and Bangalter, then. Never mind the fact that their music is only loosely similar.
However, the album really crept up on me- mostly due to its marketing: the videos have all been excellent (watch DVNO, NOW), and the endless stream of remixes has kept up their exposure. Everyone has had a go, and whilst some have been more successful than others, there is no doubt that '†' is remix fodder. Even Justice have contributed- "What? So you weren't happy with the original song? Oh well...". Put it this way- wikipedia has a whole page devoted to Justice remixes. Here are a few of the best: Justice- DVNO (Justice Remix) Justice- Phantom Pt. II (Boyz Noize Remix) Justice- D.A.N.C.E. (Les Rhythmes Digitales Remix)
Over the last few weeks, a more interesting application of '†' has emerged: the backing for a rap. Wale did it first, with the unbelievably amazing W.A.L.E.D.A.N.C.E., which I was only alerted to a couple of days ago. He really does kill it, and its an intuitive use of a brilliant song. I await his label debut: check out some mixtapes over at DatPiff. 'Cut beats; I'm a fucking word surgeon. Scalpel... Sponge... This working. D.A.N.C.E.'
Justice/Wale- W.A.L.E.D.A.N.C.E. Only minutes after hearing Wale's interpretation of the song, I received an email from Webbafied. Hailing from Brooklyn, New York, this up and coming hip hop artist had me hooked from the moment I opened the email. Justice's '†', re-tooled with a rapper. The whole thing. Free. With the 'Grey Album', Dangermouse took two distant albums- The Beatles 'White Album' and Jay-Z's 'The Black Album'- and created something new, but retaining the quality of the original work. Webbafied has pulled off a familiar feat with 'Webbafied Does It Justice', except rather than working as a producer (like DM), he has lent his lyrical wit to the songs.
Admittedly, its an ambitious project, and not every track has the necessary space or vocal cues that Webbafied needs to work with. There are a handful of occasions, though, when the potential of such a project is fulfilled: the new version of 'Let There Be Light' sends shivers down my spine... 'Valentine' takes on a heartful meaning: 'Everyday is February 14th. Say my prayers hoping that you won't leave. All my life I waited for the right one. You're the type I need to mother my son.' Best of all, though, is 'DVNO', a song that has felt the power of ressurection. With So-Me's video and this re-tool, it is rapidly developing into my favourite Justice release, period.
The intelligence of Webbafied is clear: his interpretation of what the original songs are actually about is generally spot on. Artists hoping to cut a path into the big-time should follow his example: coupling your skills with an album of well known songs is a sure-fire way to get noticed. In doing so, he has already jumped the first hurdle: familiarity. And with a respect for the original material, he cannot fail: whereas Wale turns the backing treble right down, Webbafied waits for the gaps to do his thing. Sometimes, this creates awkward silences, but it's the right approach to take for an album interpolation.
You should check out Webbafied's MySpace page, where 'Webbafied Does It Justice' can be downloaded for free. Also, make sure you have a listen to his extensive back-catalogue.
Update: A behind the scenes look at the making of 'Webbafied Does It Justice'...
I love Lupe Fiasco. Simply put, he's is the best thing about rap music at the moment, with a lyrical repertoire far beyond many of his peers and the kind of musical talent that doesn't surface often. The second of his concept album trio, 'The Cool' was a critical hit, and was further proof that Fiasco is an undervalued talent.
A remix that is superior to the original song is a rarity, and these should be cherished. I never thought Lupe would lend himself well to being re-tooled, as his blend of book-smart verses and unusual production are fairly distinctive in the first place. The latest remix, however, of 'Superstar', his lead single, is a song that made me change my mind. 'Superstar' was a song that should have been left alone, but the instigators should be rewarded. This is sick.
Young Jeezy is just there as filler, but he raps respectably. The light relief at the beginning of the trick, he then gets blown away by Lupe's new verse: "Like a senior citizen having a baby shower Haters want to budget but my fans still love it So you can ask them exactly ‘Who I Are’ Nine weeks at number one I’m a ‘Superstar’ "
To finish things off, T.I. shows that his recent seclusion has had a positive effect on his flow. All in all, its a great song, and is another triumph for Lupe. Download it!
There's been a definite change in direction for the music industry: any song that makes it onto the charts has it's own set of remixes before you can say "cash-cow". I made it my job today to dig through the mountain of material and find some of the real gems:
This is an interesting one: I shamefully admit that I'm a massive fan of the original, and Chris Brown is a solid addition, slotting in his computer-enhanced voice and some original lyrics: "Baby girl you can be my Cinderella, ella, ella, ella, eh, eh, eh, eh, eh" It was a brilliantly bold hip-hop song to begin with: add Chris Brown, some more 'direct 'lyrics and you have an even superior version... but please don't spoil the magic and re-release it (as if Rihanna needs more money anyway?). Feist- My Moon My Man (Boyz Noize Remix)
You might spot the trend (yes, I only just wrote about Boyz Noize), but this is a lot more than I expected from him on the remix front. You have to have balls to mix Feist's whispy voice with a bloody great voice synth, but the bravery pays off. I've listened to this about 15 times and I can't see any reason to dislike it- someone influential get a hold of this, I beg you, and give credit where it's deserved (Yes, Zane Lowe, YOU, if for some crazy reason you're reading).
The sign of a skilled DJ/MC is that they can remix a song with an artist you hate an make you love them 3 minutes later. I have always been quick to show my confusion towards Battles and their space-rock- how else can you describe it?- and Akon has been a thorn in my side since 'Lonely' clogged up MTV Base. Mix these together with M.I.A.'s insanely brilliant Boyz, however, and you have something which miraculously works, and even sounds less 'out-there' than most of Kala, her latest album. Please let me know how you feel about these songs- isn't Boyz Noize remix awesome?
So there you have it: some DJ's do themselves proud and outdo the numerous "Jazzy Phizzle produc-shizzles" which get dumped on the music industry each year.
All the tracks available for download on this blog are there purely in the interest of the artists; I offer music to the masses for a short time only in order to promote those artists who I think deserve more publicity. If you want any of your tracks removed, please leave a comment and I will do so.
Wouldn't your inner audiophile feel better if you bought some CD's every now and then? Please make an effort to support the artists featured on this blog (if you like them!).
Me... Yes, I'm tired
