The Dark Knight. The ultimate cinematic experience.
I couldn't handle a 'hot out of the screening room' review of The Dark Knight. I'm still unsure how the collected press managed to draft up honest reviews of the film mere minutes after walking out of the press screenings. Maybe I was too wrapped up in all the pre-release hype that surrounded this film, but regardless, that hype was not left unjustified.
The Dark Knight, as a cinematic spectacle, is unmatched by any blockbuster of the last ten years (my movie-going period). It is also the most emotionally draining piece of culture that I have ever being exposed to. I felt like a shell of my former self as we walked out of the cinema, physically exhausted by the ever-changing merry-go-round of emotions that the film conjured in me.
The only place to start is the hype. The buzz surrounding this film has been fever-pitch since Commissioner Gordon handed over the Joker card to our caped crusader as the credits rolled for Batman Begins. In that card, Christopher Nolan sent an obvious signal that whilst he wasn't committed to a sequel, Batman was officially reborn, and ready for a franchise if the world was ready for it. And we were.
Cinema is, by the law of averages, a lonely experience. Sure, we go in pairs, threes or more, but ultimately, sitting in a dark room watching a screen is an anti-social experience. So, why do we do it? For the reaction. And if you are looking for a provoking film, look no further. At my birthday dinner I was quite happy to argue with my parents that as a cinematic experience, this is the pinnacle. For two hours.
The Dark Knight is probably not the best movie ever. It would be hard to argue that it is a complete masterpiece, as there are a few limited flaws. And yet, as a complete package, there is nothing out there that even comes close to this as a piece of cinema. The film itself has obviously connected with audiences the world over, and most average people that you speak to would happily place this film in their top 5 of all time. The $300 million in 10 days (amongst a host of other amazing records) alongside a never-ending series of 5 star reviews mean that The Dark Knight will never be forgotten.
Christopher Nolan has a dilemma to deal with. Where do you go from this? Whilst his previous films have all been brilliant, this huge level of commercial success has never factored into his equation, and yet these kind of figures will have changed that. The Prestige was a commercial hit, debuting at #1 in the US and garnering Academy Award nominations. And yet if you mentioned it, most people wouldn't bat an eyelid. The Dark Knight is not that film.
The film is centered around a host of characters who are all totally inhabited by the actors. Christian Bale will no doubt be under-appreciated as Bruce Wayne, although he is the foundation of this film, holding the meandering plot together. Maggie Gyllenhaal reinvents Rachel Dawes, taking over from Katie Holmes and thankfully erasing her annoying turn in Batman Begins from my memory. Then we have the 'white knight' to Batman's 'dark knight'- Harvey Dent. Aaron Eckhart is another success story, using the talent he has to burn and creating an interesting character arc for Harvey. We care about him, and that is the crucial aspect- that whilst Two Face does appear in this film, we are still aware that he and Harvey are the same person, regardless of whats going on underneath that exterior. Commisioner Gordon has an expanded role in this sequel, and Gary Oldman is once again stellar, with the rest of the cast also providing interesting foils for the leads.
And finally I am brought to Heath Ledger. Heath, Heath, Heath. This performance is far bigger than him. It's far bigger than this film. It's bigger than the hype surrounding it. This film has reinvented the concept of a villain. The Joker is a villain for the modern era, killing and creating havoc purely because he wants to. There are no motives- evidence in the fact that his back story continually changes, and the 'wanna know how I got these scars?' question pops up a few times, each time with a different answer. We have all heard the buzz surrounding Ledger's widely supported Oscar nomination, and it is founded. And yet, most of the buzz suggests a nomination for Best Supporting Actor. In actuality, The Joker is the lead role, carrying this film, his presence never absent.
This last fact is down to the fact that Gotham City plays a much bigger role second time around. The shots of Christian Bale standing alone on some of the city's skyscrapers are truly breathtaking, and although I didn't see the film in IMAX, I am almost certain that these visuals would be even more impressive on the larger screens. And through Gotham's presence and destruction, The Joker is effectively never off screen. He orchestrates the destruction which plagues the city- cause and effect.
There are some places where this film experiences slight mis-steps. Whilst the first film felt relatively (and that is a huge 'relatively') grounded in terms of realistic technology, The Dark Knight moves away from this approach. Whilst the Batpod is one of the coolest pieces of automotive technology to ever grace the screen, the circumstances in which this transition is made are a little far-fetched. And in the closing moments of the film, a certain piece of equipment almost burst the bubble of Gotham's believable world which had been built so well. Finally, Christian Bale over does the gruff voice a little bit. And that's it.
So, The Dark Knight. Finally, a film by Christopher Nolan that saw the public realisation of his talent. A film that features many revelations- Heath Ledger's terrible passing, and outstanding performance. A film which may finally unseat Titanic. A viral phenomena. And most importantly, a brilliant film. A film that deserves to be remembered, in our hearts and in the record books. The Dark Knight. Where next?
The Dark Knight, as a cinematic spectacle, is unmatched by any blockbuster of the last ten years (my movie-going period). It is also the most emotionally draining piece of culture that I have ever being exposed to. I felt like a shell of my former self as we walked out of the cinema, physically exhausted by the ever-changing merry-go-round of emotions that the film conjured in me.
The only place to start is the hype. The buzz surrounding this film has been fever-pitch since Commissioner Gordon handed over the Joker card to our caped crusader as the credits rolled for Batman Begins. In that card, Christopher Nolan sent an obvious signal that whilst he wasn't committed to a sequel, Batman was officially reborn, and ready for a franchise if the world was ready for it. And we were.Cinema is, by the law of averages, a lonely experience. Sure, we go in pairs, threes or more, but ultimately, sitting in a dark room watching a screen is an anti-social experience. So, why do we do it? For the reaction. And if you are looking for a provoking film, look no further. At my birthday dinner I was quite happy to argue with my parents that as a cinematic experience, this is the pinnacle. For two hours.
The Dark Knight is probably not the best movie ever. It would be hard to argue that it is a complete masterpiece, as there are a few limited flaws. And yet, as a complete package, there is nothing out there that even comes close to this as a piece of cinema. The film itself has obviously connected with audiences the world over, and most average people that you speak to would happily place this film in their top 5 of all time. The $300 million in 10 days (amongst a host of other amazing records) alongside a never-ending series of 5 star reviews mean that The Dark Knight will never be forgotten.
Christopher Nolan has a dilemma to deal with. Where do you go from this? Whilst his previous films have all been brilliant, this huge level of commercial success has never factored into his equation, and yet these kind of figures will have changed that. The Prestige was a commercial hit, debuting at #1 in the US and garnering Academy Award nominations. And yet if you mentioned it, most people wouldn't bat an eyelid. The Dark Knight is not that film.
The film is centered around a host of characters who are all totally inhabited by the actors. Christian Bale will no doubt be under-appreciated as Bruce Wayne, although he is the foundation of this film, holding the meandering plot together. Maggie Gyllenhaal reinvents Rachel Dawes, taking over from Katie Holmes and thankfully erasing her annoying turn in Batman Begins from my memory. Then we have the 'white knight' to Batman's 'dark knight'- Harvey Dent. Aaron Eckhart is another success story, using the talent he has to burn and creating an interesting character arc for Harvey. We care about him, and that is the crucial aspect- that whilst Two Face does appear in this film, we are still aware that he and Harvey are the same person, regardless of whats going on underneath that exterior. Commisioner Gordon has an expanded role in this sequel, and Gary Oldman is once again stellar, with the rest of the cast also providing interesting foils for the leads.And finally I am brought to Heath Ledger. Heath, Heath, Heath. This performance is far bigger than him. It's far bigger than this film. It's bigger than the hype surrounding it. This film has reinvented the concept of a villain. The Joker is a villain for the modern era, killing and creating havoc purely because he wants to. There are no motives- evidence in the fact that his back story continually changes, and the 'wanna know how I got these scars?' question pops up a few times, each time with a different answer. We have all heard the buzz surrounding Ledger's widely supported Oscar nomination, and it is founded. And yet, most of the buzz suggests a nomination for Best Supporting Actor. In actuality, The Joker is the lead role, carrying this film, his presence never absent.
This last fact is down to the fact that Gotham City plays a much bigger role second time around. The shots of Christian Bale standing alone on some of the city's skyscrapers are truly breathtaking, and although I didn't see the film in IMAX, I am almost certain that these visuals would be even more impressive on the larger screens. And through Gotham's presence and destruction, The Joker is effectively never off screen. He orchestrates the destruction which plagues the city- cause and effect.There are some places where this film experiences slight mis-steps. Whilst the first film felt relatively (and that is a huge 'relatively') grounded in terms of realistic technology, The Dark Knight moves away from this approach. Whilst the Batpod is one of the coolest pieces of automotive technology to ever grace the screen, the circumstances in which this transition is made are a little far-fetched. And in the closing moments of the film, a certain piece of equipment almost burst the bubble of Gotham's believable world which had been built so well. Finally, Christian Bale over does the gruff voice a little bit. And that's it.
So, The Dark Knight. Finally, a film by Christopher Nolan that saw the public realisation of his talent. A film that features many revelations- Heath Ledger's terrible passing, and outstanding performance. A film which may finally unseat Titanic. A viral phenomena. And most importantly, a brilliant film. A film that deserves to be remembered, in our hearts and in the record books. The Dark Knight. Where next?
