About The Cold Cut...

The musings of a teenage audiophile. Indie, Rock, Hip-Hop, Rap, Dance, Dubstep, Garage, Metal... music crosses all boundaries. The Cold Cut is devoted to giving you a taste of what's going on in music at the moment.

About Me

A 17 year old taking his first tentative steps into the world of blogging. In my first year, its been up and down, from the slow first months to a busy time around the one year anniversary.

Showing posts with label Wale. Show all posts
Showing posts with label Wale. Show all posts

Round, round, round it up...

This is really a brilliant time for music: yesterday I got my hands on the new albums from m83, No Age, Cut Copy, Santogold and Phantom Planet. All of which are excellent. And yet, I don't really have time to dwell on their brilliance, because a new wave of music is coming through.

Rihanna- Disturbia (Link 2)

Rihanna has actually gone bad. Her recent album's title- 'Good Girl, Gone Bad'- suggested a new direction, but didn't deliver. I'm happy with the fact that it had a few tunes on it, and in chart terms, Rihanna can do no wrong. The first single from her re-release of 'Good Girl Gone Bad', 'Disturbia', shows signs that she might be trying some new styles. Okay, so she sounds like a robot. But that's more than made up for by the first sentence: 'What's wrong with me? Why do I feel like this? Oh, and the fact that she actually says 'shit'. Maybe things aren't going so great for the chart queen? Oh, and did anyone else make the connection between the song title and her purported connection with Shia LaBeouf?

Immuzikation- We're Gonna Have a Paaarty (Immuzikation GetTheFuckUpToniteBlend) (Link 2)

Immuzikation is showing absolutely no signs of slowing down. I've been chatting to him a lot lately, and all I can say is that both he and I have some treats lined up for you. Stay tuned, and listen to his latest amazing mash-up: the last few have shown some serious signs of progression... my personal favourites are Santo Mia, Fish Tacos, and this latest addition. Check his day-glo Myspace.

Jon Regen- Let It Go Live (Link 2)

Jon Regen has just finished his European tour. You might remember my post about him a few months back- since then, Jon has been getting loads of positive write ups in blogs and other meda, and an extremely strong response to his tour. He sent through a live recording of 'Let It Go', the first single from his recent album, 'Let It Go'. It's a nice version, and Jon, with the help of a two man band, switches things up. Visit Jon's website...

Wale- Roc Boys (Freestyle) (Link 2)

Wale's new mixtape dropped a few days ago. Easily as good as '100 Miles And Running', this sets the bar higher. The beats are more clean cut, the rhymes more sophisticated, and althogether the music is more polished. Download it here.

Kenna ft. Lupe Fiasco- Say Goodbye To Love
(Link 2)

Kenna's 'Make Sure They See My Face', released in October 2007, is a truly excellent album. Hopefully, this remix with Lupe Fiasco will see some more commercial success than the album version.

The Definitive- Justice: Remix Gold (New Links)

When I first heard Justice's '†', I was impressed, but not as much as the hype said I should be. Worst of all, I found the Daft Punk comparisons confusing: they're a duo, and they're French. Must be the next Homem-Christo and Bangalter, then. Never mind the fact that their music is only loosely similar.

However, the album really crept up on me- mostly due to its marketing: the videos have all been excellent (watch DVNO, NOW), and the endless stream of remixes has kept up their exposure. Everyone has had a go, and whilst some have been more successful than others, there is no doubt that '†' is remix fodder. Even Justice have contributed- "What? So you weren't happy with the original song? Oh well...". Put it this way- wikipedia has a whole page devoted to Justice remixes. Here are a few of the best:

Justice- DVNO (Justice Remix)

Justice- Phantom Pt. II (Boyz Noize Remix)
Justice- D.A.N.C.E. (Les Rhythmes Digitales Remix)

Over the last few weeks, a more interesting application of '†' has emerged: the backing for a rap. Wale did it first, with the unbelievably amazing W.A.L.E.D.A.N.C.E., which I was only alerted to a couple of days ago. He really does kill it, and its an intuitive use of a brilliant song. I await his label debut: check out some mixtapes over at DatPiff.
'Cut beats; I'm a fucking word surgeon. Scalpel... Sponge... This working. D.A.N.C.E.'

Justice/Wale- W.A.L.E.D.A.N.C.E.

Only minutes after hearing Wale's interpretation of the song, I received an email from Webbafied. Hailing from Brooklyn, New York, this up and coming hip hop artist had me hooked from the moment I opened the email. Justice's '†', re-tooled with a rapper. The whole thing. Free. With the 'Grey Album', Dangermouse took two distant albums- The Beatles 'White Album' and Jay-Z's 'The Black Album'- and created something new, but retaining the quality of the original work. Webbafied has pulled off a familiar feat with 'Webbafied Does It Justice', except rather than working as a producer (like DM), he has lent his lyrical wit to the songs.

Justice/Webbafied- Let There Be Light
Justice/Webbafied- Stress

Admittedly, its an ambitious project, and not every track has the necessary space or vocal cues that Webbafied needs to work with. There are a handful of occasions, though, when the potential of such a project is fulfilled: the new version of 'Let There Be Light' sends shivers down my spine... 'Valentine' takes on a heartful meaning: 'Everyday is February 14th. Say my prayers hoping that you won't leave. All my life I waited for the right one. You're the type I need to mother my son.' Best of all, though, is 'DVNO', a song that has felt the power of ressurection. With So-Me's video and this re-tool, it is rapidly developing into my favourite Justice release, period.

The intelligence of Webbafied is clear: his interpretation of what the original songs are actually about is generally spot on. Artists hoping to cut a path into the big-time should follow his example: coupling your skills with an album of well known songs is a sure-fire way to get noticed. In doing so, he has already jumped the first hurdle: familiarity. And with a respect for the original material, he cannot fail: whereas Wale turns the backing treble right down, Webbafied waits for the gaps to do his thing. Sometimes, this creates awkward silences, but it's the right approach to take for an album interpolation.

You should check out Webbafied's MySpace page, where 'Webbafied Does It Justice' can be downloaded for free. Also, make sure you have a listen to his extensive back-catalogue.

Update: A behind the scenes look at the making of 'Webbafied Does It Justice'...